Eddie Schneider

Photo by Erin Summerill

Eddie Schneider (@eddieschneider) is the Vice President of JABberwocky Literary Agency, which he joined back when the nerve center was still Joshua Bilmes’ living room.

These days, the agency is in a real office, sandwiched between Grand Central Station and Times Square in midtown Manhattan, though with the pandemic we find ourselves once again working from our living rooms most days. Wherever the work gets done, Eddie continues on in his pursuit of great authors, both new and new to JABberwocky.

Eddie is an Iowa graduate, where he studied fiction, poetry, and creative non-fiction. He has an M.S. in Publishing from New York University, and his client list includes Hugo, Andre Norton, Philip K. Dick, Bram Stoker Award, and British Fantasy Award winners, as well as New York Times bestselling authors Brandon Sanderson, Silvia Moreno-Garcia, and Ben Wilgus.

When he isn’t agenting, reading, or editing, he has been known to run ultramarathons, and is technically an award-winner himself, although his form wouldn’t necessarily get rave reviews.

How to Query Me

Email queries to queryeddie [at] awfulagent.com. Please include the first ~5 pages of your manuscript, and paste them below your query letter, in the body of your email. 1-3 page synopses may also be included at the very bottom, similarly pasted, but aren’t mandatory.

When querying, please don’t send any attachments, as these queries are deleted unread.

What I’m Looking For

Major changes are underway here in the U.S., both in terms of reading devices and demographics, and any time something comes along to disrupt the status quo, it presents tremendous artistic and economic opportunities, as well as new points of entry to right historical wrongs. These changes dovetail nicely with what I desire most—books that are groundbreaking, genre-defining, and reflect the whole spectrum of human experience.

No matter the genre, I have a long-running interest in working with authors who bring fresh and diverse voices to the literary conversation, especially those who come from historically marginalized groups. All people should be able to see themselves reflected in the stories they read, as well as in those who pen them.

Genres I represent, and the types of books that most interest me within a given genre, follow.


Literary fiction: I’m an avid reader of literary fiction, and what lights up my cerebral cortex here are more plot-driven novels with a strong emotional core, which engage in areas beyond and outside the middle-class concerns endemic to a large swath of books published in this genre. Two examples of (non-client) novels from the last few years that I particularly enjoyed are Ruth Ozeki’s A TALE FOR THE TIME BEING and Louise Erdrich’s ROUND HOUSE.

Science fiction: I love science fiction, especially SF set in the near future, often with social or cultural commentary, as well as the occasional space opera. Two examples of (non-client) novels that I enjoyed in this vein are Ursula K. LeGuin’s classic THE LEFT HAND OF DARKNESS and Octavia Butler’s PARABLE OF THE SOWER.  I am very much interested in SF written from non-Western cultural perspectives, and one good non-client example of that is G. Willow Wilson’s ALIF THE UNSEEN.

Fantasy: With fantasy, my favorite novels have tended to be those that toe both the real world and the fantastic. In any case, I go for stories with intricate, imaginative settings that are internally consistent, address political and social concerns, and have often found myself preferring tight writing to florid. I’m especially interested in fantasy novels set outside the Northern European milieu from which the genre originated. Two examples of (non-client) novels that I particularly enjoyed like this are Octavia Butler’s KINDRED and Susanna Clarke’s JONATHAN STRANGE & MR. NORRELL.

Young Adult: My favorite YA novels tend to be both character- and concept-driven, while embracing the intensity of emotion that characterizes a lot of the best YA fiction. A couple (non-client) favorites published in recent years include Laini Taylor’s DAUGHTER OF SMOKE AND BONE and AMERICAN STREET by Ibi Zoboi.

Middle Grade: Middle grade novels have a special resonance for me, in part because the genre has such breadth. As with YA, I’m also interested in both realistic/contemporary and sf/fantasy. Two examples of (non-client) novels that I really enjoyed are Dianna Wynne Jones’ classic HOWL’S MOVING CASTLE and Rebecca Stead’s WHEN YOU REACH ME.


Science: I have wide-ranging interests here that include the physical, earth, life, medical, and social sciences. Science books most likely to appeal to me tend to deal with specific topics, and sometimes unlikely ones. Examples of (non-client) books in this vein that I enjoyed are Rebecca Skloot’s THE IMMORTAL LIFE OF HENRIETTA LACKS, and especially Mary Roach’s STIFF.

History: I am interested in histories that focus on a single subject, rather than wide-ranging works about a time or place. I particularly enjoy historical biographies, including those where the biography’s subject is an artifact or commodity. Examples of (non-client) books that capture the essence of what I’m after are Michael W. Twitty’s THE COOKING GENE and Doris Kearns Goodwin’s NO ORDINARY TIME.

Narrative nonfiction: Here, I’m interested in memoirs that take on issues that extend beyond those in the author’s own life, travel narratives that are socially engaged and possess an individual stamp, and in ‘nonfiction novels.’ Examples of (non-client) books that follow some of these paths include Sy Montgomery’s THE GOOD, GOOD PIG and Lynne Cox’s SWIMMING TO ANTARCTICA.

Graphic novels and comics

Note: When querying with a graphic novel or comic, please feel free to include 2-3 images representative of your art, pasted in the body of your email below your query letter. A link to your online portfolio is also good.

Graphic novels: Few things are better than a truly great graphic novel, where the writing and the art flow together, but are each strong enough to stand alone. I’m looking for work where both the writing and the art are firing on all cylinders, and am primarily interested in author/artists, or an established author-artist team. I would like to see both fiction and non-fiction graphic novels, realistic or speculative, for adult, YA, or middle grade. A non-client example of a graphic novel I really enjoyed is Marjane Satrapi’s PERSEPOLIS.

Comics: What I’m after here are projects that either are, or are influenced by, comic strips and webcomics. What will most catch my eye are comics that are both humorous and incisive. Bill Watterson’s CALVIN AND HOBBES and Gary Larson’s FAR SIDE are classic examples; more recent comics include The Oatmeal and Hyperbole and a Half, which I like. . . alot.

Special note:

Since it still needs (and may always need) to be spelled out, please note I am eager to consider queries by persons, or featuring protagonists, of any race, color, creed, religion, national citizenship/origin, gender identity, sexual orientation, disability, age, or physical appearance. Further, I will not attempt to editorially limit the presence of characters in any of the above in order to sell a project, and will support any client who has been discriminated against by a publisher or editor because of such status, in the hopefully unlikely event that this might occur.

Favorite film: The Seven Samurai, although Ikiru hits me harder
Favorite video game based off of a (non-client) licensed property: Knights of the Old Republic (yes, I’ve heard about the remaster!)
Video game most likely to keep me up late: No Man’s Sky
Number of countries visited: 10
Continents I’ve run a marathon on (in order of completion): North America, Australia, Europe
Splines: Reticulating